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A Painted Tale ()

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The songs of late Renaissance and early Baroque England have been sliced and diced in various ways in concert and recorded programming, but the configuration here seems to be unique. The tenor Nicholas Phan, from Ann Arbor, Michigan, devised the program himself: pointing out "how little human experience has changed over the centuries" and that Dowland's melancholia had much in common with the Romantics' veneration of the lovesick solitary hero (both debatable ideas, but both stimulating), he assembles what he calls a ...

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  1. A painted tale, song for voice with lute & bass viol
  2. O solitude, my sweetest choice, song, Z. 406
  3. Have You Seen but a White Lily Grow? for voice & lute
  4. Fairest work of happy nature
  5. The self-banish'd (A Minuet)
  6. Fire, lo how I burn
  7. O turn not those fine eyes away
  8. Sweeter than roses (from "Pausanias"), song, Z. 585/1
  9. She loves and she confesses too, song, Z. 413
  10. No More Shall Meads Be Decked with Flowers, song
  11. My thoughts are winged with hopes, for 4 voices & lute (First Book of Songs)
  12. Of all the torments, all the cares
  13. Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
  14. Not all my torments can your pity move, song, Z. 400
  15. So, so, leave off this last lamenting kisse (from Ayres 1609)
  16. In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet)
  17. Now, O now I needs must part, for 4 voices & lute (First Book of Songs)
  18. Come, heavy sleep, for 4 voices & lute (First Book of Songs)
  19. Stay, silly heart
  20. Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193
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A Painted Tale
2015, Avie

UPC: 822252232523


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